It’s 34 degrees at daybreak; and the temperature is rapidly dropping. The day is as dreary as it is gray, but not even the hawk — or the Housing Authority of New Orleans (HANO) — can keep Brandan “BMike” Odums away from the Florida Projects.
He’s not breaking and entering in the name of creation this time around. The visual artist, who is equally dexterous with spray paint as he is with acrylic and pen and ink, is there to reflect on #ProjectBe, an organic participatory art odyssey that began last summer. #ProjectBe sparked debates among the arties — and authorities – about what makes “legitimate” art and whether a weather-beaten public housing development can ever be more than an underground thrill.